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	<title>hipercroquis &#187; desechables</title>
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		<title>Haiti, ten months later</title>
		<link>http://hipercroquis.net/2010/11/06/haiti-ten-months-later/</link>
		<comments>http://hipercroquis.net/2010/11/06/haiti-ten-months-later/#comments</comments>
		<pubDate>Sat, 06 Nov 2010 21:28:10 +0000</pubDate>
		<dc:creator>javier milara</dc:creator>
				<category><![CDATA[desechables]]></category>

		<guid isPermaLink="false">http://hipercroquis.net/?p=422</guid>
		<description><![CDATA[A photo story by Alan Taylor A rooster stands on the roof of an abandoned aircraft in a camp set up for Jan. 12 earthquake victims on an abandoned air strip in Port-au-Prince, Haiti on Wednesday, September 29th, 2010. (AP Photo/Ramon Espinosa) A wider view of a tent city set up for earthquake victims in Port-au-Prince, [...]]]></description>
			<content:encoded><![CDATA[<p>A photo story by <a href="www.kokogiak.com" target="_blank">Alan Taylor</a></p>
<p><a href="http://www.boston.com/bigpicture/2010/11/haiti_ten_months_later.html"><img style="border: 5px solid white;" src="http://inapcache.boston.com/universal/site_graphics/blogs/bigpicture/haiti_11_03/h01_00000005.jpg" alt="" width="416" height="270" /></a></p>
<div>A rooster stands on the roof of an abandoned aircraft in a camp set up for Jan. 12 earthquake victims on an abandoned air strip in Port-au-Prince, Haiti on Wednesday, September 29th, 2010. (AP Photo/Ramon Espinosa)</div>
<div><img style="border: 5px solid white;" src="http://inapcache.boston.com/universal/site_graphics/blogs/bigpicture/haiti_11_03/h02_00000004.jpg" alt="" width="416" height="263" /></div>
<p>A wider view of a tent city set up for earthquake victims in Port-au-Prince, Haiti on Wednesday, September 29th, 2010. (AP Photo/Ramon Espinosa) <a href="http://www.boston.com/bigpicture/2010/11/haiti_ten_months_later.html#photo2">#</a></p>
<p><img style="border: 5px solid white;" src="http://inapcache.boston.com/universal/site_graphics/blogs/bigpicture/haiti_11_03/h07_00000008.jpg" alt="" width="416" height="293" /></p>
<p>A youth uses a hammer to demolish his home near the National Palace, in the Fort Nationale neighborhood of Port-au-Prince, Haiti on Monday Sept. 20, 2010. (AP Photo/Ramon Espinosa) <a href="http://www.boston.com/bigpicture/2010/11/haiti_ten_months_later.html#photo7">#</a></p>
<p><img style="border: 5px solid white;" src="http://inapcache.boston.com/universal/site_graphics/blogs/bigpicture/haiti_11_03/h08_25460879.jpg" alt="" width="416" height="264" /></p>
<p>Photos of Lesly Voltaire, of the Ansanm nou fo party, or &#8220;Together we are strong&#8221; party, left, Charles Henry Baker, of the RESPE party, or &#8220;Respect&#8221; party center and Jean Hector Anacasis, of the Modejahthe party, or &#8220;Democratic Movement of the Haitian Youth&#8221;, all three presidential candidates for Haiti&#8217;s general elections, are hung from a fence surrounding the earthquake-damaged National Palace in Port-au-Prince, Haiti on Monday, Oct. 11, 2010. Haiti will hold elections Nov. 28. (AP Photo/Ramon Espinosa) <a href="http://www.boston.com/bigpicture/2010/11/haiti_ten_months_later.html#photo8">#</a></p>
<p><img src="file:///Users/xa/Library/Caches/TemporaryItems/moz-screenshot-6.png" alt="" /></p>
<p><img style="border: 5px solid white;" src="http://inapcache.boston.com/universal/site_graphics/blogs/bigpicture/haiti_11_03/h10_24683189.jpg" alt="" width="416" height="287" /></p>
<p>After an 8-month separation, Abby Emile, 3, from  Haiti, is reunited with her mother, Lynda Maurice in Boston,  Massachusetts on August 14th, 2010. Lynda had flown to the United States  on a visa in December of 2009, to be with her husband. A problem with  immigration paperwork meant young Abby had to stay behind in Haiti with  relatives for a short while &#8211; then the Earthquake hit in January, and  eight more months would pass until Abby was able to be with her parents  once more. (Boston Globe/Kayana Szymczak) <a href="http://www.boston.com/bigpicture/2010/11/haiti_ten_months_later.html#photo10">#</a></p>
<p><img style="border: 5px solid white;" src="http://inapcache.boston.com/universal/site_graphics/blogs/bigpicture/haiti_11_03/h11_24619099.jpg" alt="" width="416" height="272" /></p>
<p>Haitians in Port-au-Prince walk the dark streets of downtown on August 3, 2010. (Boston Globe/Essdras M Suarez) <a href="http://www.boston.com/bigpicture/2010/11/haiti_ten_months_later.html#photo11">#</a></p>
<p><img style="border: 5px solid white;" src="http://inapcache.boston.com/universal/site_graphics/blogs/bigpicture/haiti_11_03/h12_25638409.jpg" alt="" width="416" height="262" /></p>
<p>(1 of 2) A &#8220;before&#8221; photograph shows Haitians walking in a badly damaged street after an earthquake in Port-au-Prince, on February 3, 2010. See below for the &#8220;after&#8221; photo. (REUTERS/Eduardo Munoz) <a href="http://www.boston.com/bigpicture/2010/11/haiti_ten_months_later.html#photo12">#</a></p>
<p><img style="border: 5px solid white;" src="http://inapcache.boston.com/universal/site_graphics/blogs/bigpicture/haiti_11_03/h13_25638409.jpg" alt="" width="416" height="262" /></p>
<p>(2 of 2) An &#8220;after&#8221; photograph from September 30, 2010 &#8211; seven months later &#8211; shows Haitians walking on the same street as above. By some estimates, only 2 percent of the 250 million cubic meters of debris in Port-au-Prince has been cleared, for reasons ranging from lack of equipment and money to an abysmal property records system. Meanwhile, most Haitians just live and work around the piles of debris. (REUTERS/Eduardo Munoz) <a href="http://www.boston.com/bigpicture/2010/11/haiti_ten_months_later.html#photo13">#</a></p>
<p><img style="border: 5px solid white;" src="http://inapcache.boston.com/universal/site_graphics/blogs/bigpicture/haiti_11_03/h14_25419927.jpg" alt="" width="416" height="274" /></p>
<p>A hot dog vendor works in downtown Port-au-Prince, Haiti, Friday Oct. 8, 2010. (AP Photo/Ramon Espinosa) <a href="http://www.boston.com/bigpicture/2010/11/haiti_ten_months_later.html#photo14">#</a></p>
<p><span id="more-422"></span><img style="border: 5px solid white;" src="http://inapcache.boston.com/universal/site_graphics/blogs/bigpicture/haiti_11_03/h15_25701319.jpg" alt="" width="416" height="274" /></p>
<p>A resident crosses a dirty drain which leads into the sea at downtown Port-au-Prince October 29, 2010. (REUTERS/Eduardo Munoz) <a href="http://www.boston.com/bigpicture/2010/11/haiti_ten_months_later.html#photo15">#</a></p>
<p><img style="border: 5px solid white;" src="http://inapcache.boston.com/universal/site_graphics/blogs/bigpicture/haiti_11_03/h16_25642827.jpg" alt="" width="416" height="270" /></p>
<p>An employee of Haiti&#8217;s Ministry of Health shows a device that measures the level of chlorine in the water stored in plastic tanks that is consumed by earthquake survivors at a refugee camp in Port-au-Prince, Haiti, Monday, Oct. 25, 2010. The Haitian government is conducting tests in the camps around the capital and purifying the water with chlorine tablets in order to avoid the spread of the cholera outbreak that killed more than 250 people in rural Haiti. (AP Photo/Ramon Espinosa) <a href="http://www.boston.com/bigpicture/2010/11/haiti_ten_months_later.html#photo16">#</a></p>
<p><img style="border: 5px solid white;" src="http://inapcache.boston.com/universal/site_graphics/blogs/bigpicture/haiti_11_03/h17_25671513.jpg" alt="" width="416" height="274" /></p>
<p>A tanker truck deposits excrement from the Nepali UN base in an area 400 meters away from the base in Mirebalais, Haiti, Wednesday, Oct. 27, 2010. U.N. investigators took samples of foul-smelling waste flowing behind a Nepalese peacekeeping base toward an infected river system on Wednesday, following persistent accusations that excrement from the newly arrived unit caused the epidemic that has sickened more than 4,000 people in the earthquake-ravaged nation. (AP Photo/Ramon Espinosa) <a href="http://www.boston.com/bigpicture/2010/11/haiti_ten_months_later.html#photo17">#</a></p>
<p><img style="border: 5px solid white;" src="http://inapcache.boston.com/universal/site_graphics/blogs/bigpicture/haiti_11_03/h19_25740991.jpg" alt="" width="416" height="252" /></p>
<p>People take part in a Voodoo ritual at the start of Fet Gede celebrations, or days of the dead, at the national cemetery in Port-au-Prince on Monday Nov. 1, 2010. (AP Photo/Ramon Espinosa) <a href="http://www.boston.com/bigpicture/2010/11/haiti_ten_months_later.html#photo19">#</a></p>
<p><img style="border: 5px solid white;" src="http://inapcache.boston.com/universal/site_graphics/blogs/bigpicture/haiti_11_03/h22_25684057.jpg" alt="" width="416" height="268" /></p>
<p>A man holds the hand of his son suffering from dehydration and diarrhea while being treated at the Charles Colimon Hospital in Petite Riviere, on October 28, 2010. (NICHOLAS KAMM/AFP/Getty Images) <a href="http://www.boston.com/bigpicture/2010/11/haiti_ten_months_later.html#photo22">#</a></p>
<p><img style="border: 5px solid white;" src="http://inapcache.boston.com/universal/site_graphics/blogs/bigpicture/haiti_11_03/h23_25713609.jpg" alt="" width="416" height="271" /></p>
<p>Hospital workers burn medical waste behind a hospital that is treating cholera patients October 30, 2010 in St. Marc, Haiti. (Spencer Platt/Getty Images) <a href="http://www.boston.com/bigpicture/2010/11/haiti_ten_months_later.html#photo23">#</a></p>
<p><img style="border: 5px solid white;" src="http://inapcache.boston.com/universal/site_graphics/blogs/bigpicture/haiti_11_03/h24_25384813.jpg" alt="" width="416" height="274" /></p>
<p>Former U.S. President Bill Clinton speaks with a resident as he walks through the 55,000 resident tent camp at the Petionville Club run by the J/P Haitian Relief Organization in Port au Prince October 6, 2010. The Clinton Foundation announced on Wednesday that it will provide $500,000 to help continue management of the camp, run by U.S. actor Sean Penn. (REUTERS/Allison Shelley) <a href="http://www.boston.com/bigpicture/2010/11/haiti_ten_months_later.html#photo24">#</a></p>
<p><img style="border: 5px solid white;" src="http://inapcache.boston.com/universal/site_graphics/blogs/bigpicture/haiti_11_03/h25_25757697.jpg" alt="" width="416" height="273" /><br />
A child reaches out for a stuffed animal hanging to dry at the Caradeux Camp for people displaced by the January earthquake in Port-au-Prince, Haiti, Tuesday, Nov. 2, 2010. (AP Photo/Ramon Espinosa) <a href="http://www.boston.com/bigpicture/2010/11/haiti_ten_months_later.html#photo25">#</a></p>
<p><img style="border: 5px solid white;" src="http://inapcache.boston.com/universal/site_graphics/blogs/bigpicture/haiti_11_03/h26_25501889.jpg" alt="" width="416" height="267" /></p>
<p>Girls walk through a refugee camp in Port-au-Prince, Haiti on Oct. 13, 2010. (AP Photo/Dieu Nalio Chery) <a href="http://www.boston.com/bigpicture/2010/11/haiti_ten_months_later.html#photo26">#</a></p>
<p><img style="border: 5px solid white;" src="http://inapcache.boston.com/universal/site_graphics/blogs/bigpicture/haiti_11_03/h28_25697559.jpg" alt="" width="416" height="277" /></p>
<p>Adonia Bathelemyse watches as a hospital worker dresses the body of her mother Serette Pierre, who died of cholera recently October 29, 2010 in at a hospital in St. Marc, Haiti. Pierre died the same day she contracted cholera. (Spencer Platt/Getty Images) <a href="http://www.boston.com/bigpicture/2010/11/haiti_ten_months_later.html#photo28">#</a></p>
<p><img style="border: 5px solid white;" src="http://inapcache.boston.com/universal/site_graphics/blogs/bigpicture/haiti_11_03/h29_25696931.jpg" alt="" width="416" height="277" /></p>
<p>Misthaki Pierre cries after the burial of his mother, Serette Pierre, who died of cholera October 29, 2010 in Back D&#8217; Aguin, Haiti. Her death has left Misthaki without a mother or father. (Spencer Platt/Getty Images) <a href="http://www.boston.com/bigpicture/2010/11/haiti_ten_months_later.html#photo29">#</a></p>
<p><img style="border: 5px solid white;" src="http://inapcache.boston.com/universal/site_graphics/blogs/bigpicture/haiti_11_03/h33_25754993.jpg" alt="" width="416" height="277" /></p>
<div>A woman and her child stand outside of the Cathedral of Our Lady of the Assumption church which was destroyed in the January 12 earthquake on November 2, 2010 in Port au Prince, Haiti. (Spencer Platt/Getty Images) <a href="http://www.boston.com/bigpicture/2010/11/haiti_ten_months_later.html#photo33">#</a></div>
<p><img style="border: 5px solid white;" src="http://inapcache.boston.com/universal/site_graphics/blogs/bigpicture/haiti_11_03/h35_00000007.jpg" alt="" width="416" height="255" /></p>
<p>Men bathe in puddled water on a street in Port-au-Prince, Haiti on Wednesday, Sept. 22, 2010. (AP Photo/Ramon Espinosa) <a href="http://www.boston.com/bigpicture/2010/11/haiti_ten_months_later.html#photo35">#</a></p>
<p><img style="border: 5px solid white;" src="http://inapcache.boston.com/universal/site_graphics/blogs/bigpicture/haiti_11_03/h38_25541687.jpg" alt="" width="416" height="268" /></p>
<p>Journalists interview a man who was detained near the National Penitentiary during a prisoners&#8217; uprising in downtown Port-au-Prince, Haiti, Sunday, Oct. 17, 2010. U.N. police spokesman Jean-Francois Vezina said seven foreign hostages were held briefly by prisoners during the unrest at the prison, but were freed and according to Haiti&#8217;s law enforcement officials, three inmates were killed. (AP Photo/Ramon Espinosa) <a href="http://www.boston.com/bigpicture/2010/11/haiti_ten_months_later.html#photo38">#</a></p>
<p><a href="http://www.boston.com/bigpicture/2010/11/haiti_ten_months_later.html#photo38"></a><img style="border: 5px solid white;" src="http://inapcache.boston.com/universal/site_graphics/blogs/bigpicture/haiti_11_03/h41_25713729.jpg" alt="" width="416" height="274" /><br />
An earthquake survivor washes his hands in a bucket, donated by Haiti&#8217;s Red Cross to control infections, near a damaged helicopter in a provisional camp in downtown Port-au-Prince October 30, 2010. (REUTERS/ Eduardo Munoz) <a href="http://www.boston.com/bigpicture/2010/11/haiti_ten_months_later.html#photo41">#</a></p>
<p><img style="border: 5px solid white;" src="http://inapcache.boston.com/universal/site_graphics/blogs/bigpicture/haiti_11_03/h42_25730053.jpg" alt="" width="416" height="272" /></p>
<div>Children stand in a camp for individuals who have lost their homes in the January 12 earthquake in Cite Soleil, in Port-au-Prince, Haiti on October 31, 2010. (Spencer Platt/Getty Images) <a href="http://www.boston.com/bigpicture/2010/11/haiti_ten_months_later.html#photo42">#</a></div>
<p>[complete article: <a href="http://www.boston.com/bigpicture/2010/11/haiti_ten_months_later.html" target="_blank">The Big Picture</a>]</p>
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		<item>
		<title>dómino21 &#124;&#124; vivienda modular de construcción seca</title>
		<link>http://hipercroquis.net/2006/12/24/domino21-vivienda-modular-de-construccion-seca/</link>
		<comments>http://hipercroquis.net/2006/12/24/domino21-vivienda-modular-de-construccion-seca/#comments</comments>
		<pubDate>Sun, 24 Dec 2006 00:09:44 +0000</pubDate>
		<dc:creator>aling</dc:creator>
				<category><![CDATA[antrópicas]]></category>
		<category><![CDATA[críticas]]></category>
		<category><![CDATA[desechables]]></category>
		<category><![CDATA[interactivos]]></category>
		<category><![CDATA[paisajes]]></category>
		<category><![CDATA[sostenibilidad]]></category>
		<category><![CDATA[utopías]]></category>

		<guid isPermaLink="false">http://hipercroquis.net/?p=145</guid>
		<description><![CDATA[domino21 es ante todo un sistema de construcción concebido para que sus habitantes puedan rea­lizar operaciones espaciales de cierta envergadura con la rapidez y facilidad que las actuales técni­cas estandarizadas nos permiten. Es decir, se trata de conseguir una alta flexibilidad espacia! en viviendas realizadas según procesos de producción normalizados. Para que así ocurra, en [...]]]></description>
			<content:encoded><![CDATA[<p class="MsoNormal" style="background:white none repeat scroll 0 50%;margin-top:6.95pt;line-height:11.75pt;"><em><span style="font-size:8pt;letter-spacing:-0.05pt;">    domino21 </span></em><span style="font-size:8pt;letter-spacing:-0.05pt;">es ante todo un sistema de construcci</span><span style="font-size:8pt;letter-spacing:-0.05pt;">ó</span><span style="font-size:8pt;letter-spacing:-0.05pt;">n concebido para que sus habitantes puedan rea­lizar operaciones espaciales de cierta envergadura con la rapidez y facilidad que las actuales t</span><span style="font-size:8pt;letter-spacing:-0.05pt;">é</span><span style="font-size:8pt;letter-spacing:-0.05pt;">cni­</span><span style="font-size:8pt;">cas estandarizadas nos permiten. Es decir, se trata de conseguir una alta flexibilidad espacia! en viviendas realizadas seg</span><span style="font-size:8pt;">ú</span><span style="font-size:8pt;">n procesos de producci</span><span style="font-size:8pt;">ó</span><span style="font-size:8pt;">n normalizados. Para que as</span><span style="font-size:8pt;">í</span><span style="font-size:8pt;"> ocurra, en este caso se act</span><span style="font-size:8pt;">ú</span><span style="font-size:8pt;">a del siguiente modo:</span><em><img src="http://farm1.static.flickr.com/147/331301733_1428daac4e_o.jpg" align="right" height="301" width="400" /></em></p>
<p class="MsoNormal" style="background:white none repeat scroll 0 50%;margin-top:6.95pt;line-height:11.75pt;"><strong><em> Vivienda para 3 estudiantes:</em></strong><br />
<em> superficie= 85,5 m2<br />
3 dormitorios, 3 aseos con ducha , zona común divisible de<br />
estudio y comedor, cocina con office y terraza + 1 mirador<br />
exterior<br />
</em></p>
<p class="MsoNormal" style="background:white none repeat scroll 0 50%;margin-top:6.95pt;line-height:11.75pt;"><em><strong>Vivienda para un artista:</strong><br />
superficie= 31,5 m2<br />
1 aseo/baño , estancia multifuncional con equipo de cocina y<br />
descanso + 1 mirador interior con jardinera<br />
</em></p>
<p class="MsoNormal" style="background:white none repeat scroll 0 50%;margin-top:6.95pt;line-height:11.75pt;"><em><strong>Vivienda duplex para una pareja con 2 hijos:</strong><br />
superficie en planta 1ª = 65,5 + superficie en planta 2ª=<br />
34,5<br />
planta 1 = 1 aseo/baño, 1 cocina , 2 miradores exteriores,<br />
zona común divisible para juegos/estudio/descanso/comedor<br />
planta 2 = 1 aseo/baño, zona de descanso, 1 mirador<br />
interior + terraza.<br />
</em></p>
<p class="MsoNormal" style="background:white none repeat scroll 0 50%;margin-top:6.95pt;line-height:11.75pt;"><em><strong>Vivienda para una pareja de jubilados + visitas:</strong><br />
superficie= 63 m2</em></p>
<p class="MsoNormal" style="background:white none repeat scroll 0 50%;margin-top:6.95pt;line-height:11.75pt;"><em>1 aseo/baño, cocina, zona descanso/comedor/estar, 1<br />
mirador interior + 1 miradpr exterior.<br />
</em></p>
<p class="MsoNormal" style="background:white none repeat scroll 0 50%;margin-top:6.95pt;line-height:11.75pt;"><em><strong>Vivienda para un profesional/liberal:</strong><br />
superficie= 63 m2<br />
1 aseo/baño, cocina, zona común transformable para<br />
trabajo/descanso + 2 miradores interiores con jardinera.</em></p>
<p class="MsoNormal" style="background:white none repeat scroll 0 50%;margin-top:6.95pt;line-height:11.75pt;">&nbsp;</p>
<p class="MsoNormal" style="background:white none repeat scroll 0 50%;margin-top:6.95pt;line-height:11.75pt;">&nbsp;</p>
<p class="MsoNormal" style="background:white none repeat scroll 0 50%;margin-left:0.5pt;line-height:11.75pt;"><span id="more-145"></span><strong><span style="font-size:8pt;">Desde el punto de vista espacial:</span></strong></p>
<p class="MsoNormal" style="background:white none repeat scroll 0 50%;margin-left:0.5pt;line-height:11.75pt;"><span style="font-size:8pt;">    se define una topolog</span><span style="font-size:8pt;">í</span><span style="font-size:8pt;">a espacial para la agrupaci</span><span style="font-size:8pt;">ó</span><span style="font-size:8pt;">n de viviendas seg</span><span style="font-size:8pt;">ú</span><span style="font-size:8pt;">n 3 bandas paralelas. <span style="letter-spacing:-0.1pt;">Las 2 bandas laterales van a servir como zonas de reserva en donde alojar ciertos usos predetermi­</span><span style="letter-spacing:-0.05pt;">nados: bien las &#8220;habitaciones h</span></span><span style="font-size:8pt;letter-spacing:-0.05pt;">ú</span><span style="font-size:8pt;letter-spacing:-0.05pt;">medas&#8221; de la propuesta (cocinas, officces, ba</span><span style="font-size:8pt;letter-spacing:-0.05pt;">ñ</span><span style="font-size:8pt;letter-spacing:-0.05pt;">os, duchas, aseos), </span><span style="font-size:8pt;">o bien los espacios de relaci</span><span style="font-size:8pt;">ó</span><span style="font-size:8pt;">n con el exterior de las viviendas (terrazas, miradores, jardineras) <span style="letter-spacing:-0.05pt;">Esta definici</span></span><span style="font-size:8pt;letter-spacing:-0.05pt;">ó</span><span style="font-size:8pt;letter-spacing:-0.05pt;">n permite que dichos usos puntuales puedan cambiar con mucha facilidad de lugar sin alterar el orden general de la agrupaci</span><span style="font-size:8pt;letter-spacing:-0.05pt;">ó</span><span style="font-size:8pt;letter-spacing:-0.05pt;">n; pero s</span><span style="font-size:8pt;letter-spacing:-0.05pt;">í</span><span style="font-size:8pt;letter-spacing:-0.05pt;"> las relaciones interiores de cada vivienda (al cam­</span><span style="font-size:8pt;">biar su situaci</span><span style="font-size:8pt;">ó</span><span style="font-size:8pt;">n respecto a las 2 vertientes opuestas de la edificaci</span><span style="font-size:8pt;">ó</span><span style="font-size:8pt;">n, o la distancia a los accesos <span style="letter-spacing:-0.05pt;">de cada vivienda). De esta forma se consigue que el resto de los usos alojados en la banda central </span><span style="letter-spacing:-0.1pt;">(descanso o trabajo com</span></span><span style="font-size:8pt;letter-spacing:-0.1pt;">ú</span><span style="font-size:8pt;letter-spacing:-0.1pt;">n y descanso o trabajo privado) se orienten e interrelacionen entre si seg</span><span style="font-size:8pt;letter-spacing:-0.1pt;">ú</span><span style="font-size:8pt;letter-spacing:-0.1pt;">n </span><span style="font-size:8pt;">las posiciones que adopten los usos colocados en las bandas laterales.</span> <img src="http://farm1.static.flickr.com/130/331301739_f8563e32d2_o.jpg" align="right" height="402" width="302" /></p>
<p class="MsoNormal" style="background:white none repeat scroll 0 50%;text-align:justify;line-height:11.75pt;margin:0 0.25pt 0.0001pt 0.5pt;"><span style="font-size:8pt;letter-spacing:-0.1pt;">    La adopci</span><span style="font-size:8pt;letter-spacing:-0.1pt;">ó</span><span style="font-size:8pt;letter-spacing:-0.1pt;">n de este sistema espacial no es producto de un tanteo m</span><span style="font-size:8pt;letter-spacing:-0.1pt;">á</span><span style="font-size:8pt;letter-spacing:-0.1pt;">s o menos acertado; sino, al </span><span style="font-size:8pt;">contrario, el resultado de una investigaci</span><span style="font-size:8pt;">ó</span><span style="font-size:8pt;">n que recorre desde la teor</span><span style="font-size:8pt;">í</span><span style="font-size:8pt;">a de &#8220;el dise</span><span style="font-size:8pt;">ñ</span><span style="font-size:8pt;">o de soportes&#8221; del S.A.R (holanda 1968), hasta recientes concursos premiados en estas 2 ultimas d</span><span style="font-size:8pt;">é</span><span style="font-size:8pt;">cadas: &#8220;la vivienda del ma</span><span style="font-size:8pt;">ñ</span><span style="font-size:8pt;">ana&#8221; (Fr, 1986), la&#8221; vivienda-filtro&#8221; (Housing et</span><span style="font-size:8pt;"> </span><span style="font-size:8pt;">City 1989), o &#8220;cu</span><span style="font-size:8pt;">á</span><span style="font-size:8pt;">nto quiere&#8221; (euro-pan-2oo1).</span></p>
<p class="MsoNormal" style="background:white none repeat scroll 0 50%;text-align:justify;line-height:11.75pt;margin:0 0.25pt 0.0001pt 0.7pt;"><span style="font-size:8pt;">Con esto, domino21 ha servido, entre otros objetivos, para experimentar positivamente la viabili­dad real de esta topolog</span><span style="font-size:8pt;">í</span><span style="font-size:8pt;">a espacial en donde los usos de la banda central podr</span><span style="font-size:8pt;">í</span><span style="font-size:8pt;">an resultar obstrui­dos en su relaci</span><span style="font-size:8pt;">ó</span><span style="font-size:8pt;">n con el exterior, por los usos de las bandas laterales seg</span><span style="font-size:8pt;">ú</span><span style="font-size:8pt;">n se grad</span><span style="font-size:8pt;">ú</span><span style="font-size:8pt;">e su funci</span><span style="font-size:8pt;">ó</span><span style="font-size:8pt;">n de filtro.</span></p>
<p class="MsoNormal" style="background:white none repeat scroll 0 50%;line-height:11.75pt;margin:11.5pt 0 0.0001pt 0.95pt;"><span style="font-size:8pt;">    <strong>Desde el punto de vista t</strong></span><strong><span style="font-size:8pt;">é</span><span style="font-size:8pt;">cnico:</span></strong></p>
<p class="MsoNormal" style="background:white none repeat scroll 0 50%;line-height:11.75pt;margin:0.25pt 0 0.0001pt 0.95pt;"><span style="font-size:8pt;">se define un posible S.3c (Sistema de construcci</span><span style="font-size:8pt;">ó</span><span style="font-size:8pt;">n por componentes compatibles). La definici</span><span style="font-size:8pt;">ó</span><span style="font-size:8pt;">n de esta clase de sistemas constructivos implica utilizar los recursos que nos ofrece la &#8220;industrializaci</span><span style="font-size:8pt;">ó</span><span style="font-size:8pt;">n abierta&#8221;:</span></p>
<p class="MsoNormal" style="background:white none repeat scroll 0 50%;text-align:justify;line-height:11.75pt;margin:0 0.25pt 0.0001pt 0.5pt;"><span style="font-size:8pt;">Emplear componentes de cat</span><span style="font-size:8pt;">á</span><span style="font-size:8pt;">logo normalizados (producidos industrialmente) de distintas marcas, <span style="letter-spacing:-0.1pt;">y hacerlos compatibles entre s</span></span><span style="font-size:8pt;letter-spacing:-0.1pt;">í</span><span style="font-size:8pt;letter-spacing:-0.1pt;"> (tanto en cuanto a dimensiones, como a sus posibles posiciones den­</span><span style="font-size:8pt;">tro del sistema).</span></p>
<p class="MsoNormal" style="background:white none repeat scroll 0 50%;margin-left:0.5pt;line-height:11.75pt;"><span style="font-size:8pt;">    De esta forma se crean mecanos-abiertos, y por tanto se monta una &#8220;construcci</span><span style="font-size:8pt;">ó</span><span style="font-size:8pt;">n en seco*. <span style="letter-spacing:-0.05pt;">As</span></span><span style="font-size:8pt;letter-spacing:-0.05pt;">í</span><span style="font-size:8pt;letter-spacing:-0.05pt;">, esta clase de tecnolog</span><span style="font-size:8pt;letter-spacing:-0.05pt;">í</span><span style="font-size:8pt;letter-spacing:-0.05pt;">a posibilita un r</span><span style="font-size:8pt;letter-spacing:-0.05pt;">á</span><span style="font-size:8pt;letter-spacing:-0.05pt;">pido montaje, cambio, y sustituci</span><span style="font-size:8pt;letter-spacing:-0.05pt;">ó</span><span style="font-size:8pt;letter-spacing:-0.05pt;">n de sus piezas, y por </span><span style="font-size:8pt;">tanto una importante flexibilidad material para el sistema.</span></p>
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<p class="MsoNormal" style="background:white none repeat scroll 0 50%;margin-left:0.5pt;line-height:11.75pt;"><strong><span style="font-size:8pt;">Desde el punto de vista cultural</span></strong></p>
<p class="MsoNormal" style="background:white none repeat scroll 0 50%;margin-right:0.5pt;text-align:justify;line-height:11.75pt;"><span style="font-size:8pt;">    el edificio resultante se inserta dentro de la din</span><span style="font-size:8pt;">á</span><span style="font-size:8pt;">mica actual de cualquiera de los productos indus­triales de nuestro tiempo que, producidos en serie, permiten a su comprador el elegir dentro de unas gamas predeterminadas, junto con las variaciones resultantes de sus gustos y necesidades. Todo ello sin detrimento de su calidad (todo homologado), ni detrimento de su coste (producci</span><span style="font-size:8pt;">ó</span><span style="font-size:8pt;">n estandarizada).</span></p>
<p class="MsoNormal" style="background:white none repeat scroll 0 50%;text-align:justify;line-height:11.75pt;margin:0 0.25pt 0.0001pt;"><span style="font-size:8pt;"> Es decir, si unimos las dos flexibilidades conseguidas: flexibilidad espacial + flexibilidad tecnol</span><span style="font-size:8pt;">ó­</span><span style="font-size:8pt;letter-spacing:-0.05pt;">gica, nos encontraremos ante unas viviendas muy adaptables en el tiempo a las necesidades y pre­</span><span style="font-size:8pt;">ferencias de sus habitantes.</span><span style="font-size:8pt;"><img src="http://farm1.static.flickr.com/145/331301736_49e17b7f63_o.jpg" align="left" height="278" width="374" /></span></p>
<p class="MsoNormal" style="background:white none repeat scroll 0 50%;margin-left:0.5pt;text-align:justify;line-height:11.75pt;"><span style="font-size:8pt;"></span><span style="font-size:8pt;letter-spacing:-0.1pt;"> Los procedimientos constructivos m</span><span style="font-size:8pt;letter-spacing:-0.1pt;">á</span><span style="font-size:8pt;letter-spacing:-0.1pt;">s destacados desde ios puntos de vista anteriores, y empleados </span><span style="font-size:8pt;">por domino21 son: un cat</span><span style="font-size:8pt;">á</span><span style="font-size:8pt;">logo de cabinas c</span><span style="font-size:8pt;">ú</span><span style="font-size:8pt;">bicas producidas en serie. Totalmente equipadas a base de componentes de 9 marcas diferentes, montadas sobre la ret</span><span style="font-size:8pt;">í</span><span style="font-size:8pt;">cula principal del edificio con un &#8220;toro&#8221; empleado para la manipulaci</span><span style="font-size:8pt;">ó</span><span style="font-size:8pt;">n y apilamiento de pales de almacenamiento industrial.</span></p>
<p class="MsoNormal" style="background:white none repeat scroll 0 50%;text-align:justify;line-height:11.75pt;margin:11.75pt 0.25pt 0.0001pt 0.5pt;"><span style="font-size:8pt;">    |</span><span style="font-size:8pt;"></span><span style="font-size:8pt;">Una estructura de acero atornillada compuesta solo de 3 barras distintas y 2 clases de nudos + <span style="letter-spacing:-0.1pt;">sus tirantes de arrastramiento. Adem</span></span><span style="font-size:8pt;letter-spacing:-0.1pt;">á</span><span style="font-size:8pt;letter-spacing:-0.1pt;">s de sus correspondientes tramos de escalera id</span><span style="font-size:8pt;letter-spacing:-0.1pt;">é</span><span style="font-size:8pt;letter-spacing:-0.1pt;">nticos y nor­</span><span style="font-size:8pt;">malizados.</span></p>
<p class="MsoNormal" style="background:white none repeat scroll 0 50%;margin-left:0.25pt;line-height:11.75pt;"><span style="font-size:8pt;"></span><span style="font-size:8pt;"> |Una estructura de madera compuesta de los productos de 4 marcas totalmente compatibilizados entre s</span><span style="font-size:8pt;">í</span><span style="font-size:8pt;"> y con la estructura de acero, a trav</span><span style="font-size:8pt;">é</span><span style="font-size:8pt;">s de 2 </span><span style="font-size:8pt;">ú</span><span style="font-size:8pt;">nicas clases de estribos met</span><span style="font-size:8pt;">á</span><span style="font-size:8pt;">licos. |Tres redes de instalaciones capaces de acoplar sobre su trazado fijo tanto las cabinas equipadas, <span style="letter-spacing:-0.05pt;">como los focos y enchufes de corriente el</span></span><span style="font-size:8pt;letter-spacing:-0.05pt;">é</span><span style="font-size:8pt;letter-spacing:-0.05pt;">ctrica necesarios en la banda central. Esto se consigue a </span><span style="font-size:8pt;">base de carriles electrificados en el centro, y tramos de tubo flexible en las tomas y desag</span><span style="font-size:8pt;">ü</span><span style="font-size:8pt;">es pre­parados al efecto en todos los montantes verticales de suministro y bajantes. (Armarios rodantes y paneles deslizantes para dividir y separar los usos de la banda central. |A esto hay que a</span><span style="font-size:8pt;">ñ</span><span style="font-size:8pt;">adirle la importancia de acabados y texturas tanto en pavimentos como en para­<span style="letter-spacing:-0.05pt;">mentos verticales. Colores y materiales de diferentes marcas, y acabados en </span></span><span style="font-size:8pt;"></span><span style="font-size:8pt;"><span style="letter-spacing:-0.05pt;">f</span></span><span style="font-size:8pt;letter-spacing:-0.05pt;">á</span><span style="font-size:8pt;letter-spacing:-0.05pt;">brica, sirvieron para </span><span style="font-size:8pt;letter-spacing:-0.1pt;">terminar de definir los ambientes y sensaciones necesarias para hacer de domino21 un espacio aco­</span><span style="font-size:8pt;">gedor y domestico.</span></p>
<p class="MsoNormal" style="background:white none repeat scroll 0 50%;text-align:justify;line-height:11.75pt;margin:12pt 0 0.0001pt 0.25pt;"><span style="font-size:8pt;letter-spacing:-0.1pt;">    Sin perder de vista todo lo anterior, nada mejor que acercarnos a domino21 desde su proceso cons­</span><span style="font-size:8pt;">tructivo. La construcci</span><span style="font-size:8pt;">ó</span><span style="font-size:8pt;">n de dom</span><span style="font-size:8pt;">¡</span><span style="font-size:8pt;">no21 podr</span><span style="font-size:8pt;">í</span><span style="font-size:8pt;">a quedar divida en 4+1 fases importantes. <span style="letter-spacing:-0.05pt;">En la ejecuci</span></span><span style="font-size:8pt;letter-spacing:-0.05pt;">ó</span><span style="font-size:8pt;letter-spacing:-0.05pt;">n de estas 4 fases el factor tiempo tuvo una importancia determinante; ya que la </span><span style="font-size:8pt;letter-spacing:-0.15pt;">organizaci</span><span style="font-size:8pt;letter-spacing:-0.15pt;">ó</span><span style="font-size:8pt;letter-spacing:-0.15pt;">n de C0NSTRUTECG4 nos conced</span><span style="font-size:8pt;letter-spacing:-0.15pt;">í</span><span style="font-size:8pt;letter-spacing:-0.15pt;">a la posibilidad inestimable de disponer de su espacio </span><span style="font-size:8pt;">desde el d</span><span style="font-size:8pt;">í</span><span style="font-size:8pt;">a 28 de septiembre al 12 de octubre del 2oo4 para el montaje de los 500 m2 que ocu­paba el programa de domino21; as</span><span style="font-size:8pt;">í</span><span style="font-size:8pt;"> como, desde el d</span><span style="font-size:8pt;">í</span><span style="font-size:8pt;">a 17 al 21, para su desmantelamiento.</span></p>
<p class="MsoNormal" style="background:white none repeat scroll 0 50%;text-align:justify;line-height:11.75pt;margin:12pt 0 0.0001pt 0.25pt;"><img src="http://farm1.static.flickr.com/157/331301734_0845e0b285_o.jpg" align="texttop" height="380" width="507" /></p>
<p class="MsoNormal" style="background:white none repeat scroll 0 50%;text-align:justify;line-height:11.75pt;margin:12pt 0 0.0001pt 0.25pt;"><img src="http://farm1.static.flickr.com/137/331306072_cd62fb8c08_o.jpg" align="texttop" height="425" width="509" /></p>
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