The procedure is performed in a small place of historic Toledo, raised a meter with respect to a tiny square and attached to it via a stairway.

You will remove the property from all secondary and oblivious to what was originally a carpenter’s workshop: partitions, false ceilings and coatings are demolished . The inside is opened to the square with a large glass door. The soil is at the eye level of pedestrians, with the local participating in the street. Finally, the property is objectified by the extensive use of a single color, or lack thereof, gray.

Once we have approached a more neutral space, despite the singularity on the other hand, the construction is projected inside another one.

Do not need anything more than a work surface and storage, the larger the better. These requirements take shape in the drawing of a section. The extrusion of this section comes an item that fills the space, and is a working machine, without distinctions or hierarchy. It could be any size, is as large as the space in which it is located permits. This element has its own floor and has all the facilities necessary for its operation. Built like a ship, could one day leave the place where it was born, to occupy other places.

A translucent and satin acrylic fur is displayed on a wooden skeleton. This fur condenses the light, doesn’t cast shadows, and shows its structure and confined objects without counting everything.

[via fundación arquia + imagensubliminal]

Architect: Elding Oscarson
Location: Stockholm, Sweden
Structural Engineer: Konkret
Builder: Nils Bengtsson Bygg / Storskog Bygg & Montage
Floor Area: 160 sqm
Project Year: 2009
Photographer: Åke E:son Lindman

This design bureau for magazines and web is housed in an old textile manufacturing hall in the very center of Stockholm. They loved the naked, lofty and bright spaces, but needed to alter it drastically to make it operable for their business. There was a mezzanine in the space, with a windowless meeting room underneath and an country style kitchen sprawling along the walls, all arranged in what appeared to be an L-shaped space. Our client liked the uninterrupted row of windows, and wanted to keep it that way. Yet a bigger meeting room with windows, an atelier table for informal meetings, and more workstations was on the wish list, along with an entrance lobby and a small kitchen with a dining table.

floor plan

Dividing the space with a wall gives a very bright and large meeting room, as well as a clean rectangular room for the rest of the program. This large space is softly divided with a box containing service functions and a kitchen. By compressing the contents of the box and positioning it very carefully, the program effortlessly falls into place without breaking the impression of a single large room. The purposefully magnetic cladding of galvanized steel picks up the colors of the surroundings in a hazy reflection and further defines the box as an inserted element.

By finding the right balance between a very large pane of glass in the wall and a construction method for the wall that makes it feel both temporary and solid, the spatial atmosphere of an uninterrupted row of windows is kept while the rectangular geometries of the rooms are clearly defined. Besides having a literal relevance to the client’s business, the wall made of stacked bundles of magazines is not only a natural conversation piece in its mere irrationality, but also works as an acoustical absorbent.

The lighting solution and interior project, which to a large extent uses our own furniture designs mixed with vintage pieces and staples already in the client’s possession, aim at highlighting the nakedness of the space. Largely, the raw, untreated space was kept untouched after demolition. By adding only two clearly defined architectural elements, the client’s wish list could be met while keeping the beauty of an industrial atmosphere.